Taylor Jackson Books In Order

Below is the complete list of J. T. Ellison’s Taylor Jackson books in order. For this series, the chronological reading order is the same as the order of publication.

Publication Order of Taylor Jackson Books

  1. All the Pretty Girls (2007)
    by J. T. Ellison
    All the Pretty Girls was published in 2007 and is listed as book #1 in the Taylor Jackson series.
  2. 14 (2008)
    by J. T. Ellison
    Published in 2008, 14 is listed as book #2 in the Taylor Jackson series.
  3. Judas Kiss (2008)
    by J. T. Ellison
    Judas Kiss is a 2008 release and appears as book #3 in the Taylor Jackson series.
  4. The Cold Room (2010)
    by J. T. Ellison
    In the Taylor Jackson series, The Cold Room is book #4 and was published in 2010.
  5. The Immortals (2010)
    by J. T. Ellison
    The Immortals was first published in 2010; within the Taylor Jackson series, it is listed as book #5.
  6. So Close the Hand of Death (2011)
    by J. T. Ellison
    So Close the Hand of Death was published in 2011 and is listed as book #6 in the Taylor Jackson series.
  7. Where All the Dead Lie (2011)
    by J. T. Ellison
    Published in 2011, Where All the Dead Lie is listed as book #7 in the Taylor Jackson series.
  8. Field of Graves (2015)
    by J. T. Ellison
    Field of Graves is a 2015 release and appears as book #8 in the Taylor Jackson series.
  9. Blood Sugar Baby (2015)
    by J. T. Ellison
    In the Taylor Jackson series, Blood Sugar Baby is book #9 and was published in 2015.
  10. Whiteout (2015)
    by J. T. Ellison
    Whiteout was first published in 2015; within the Taylor Jackson series, it is listed as book #10.
  11. The Wolves Come at Night (2023)
    by J. T. Ellison
    The Wolves Come at Night was published in 2023 and is listed as book #11 in the Taylor Jackson series.

About Taylor Jackson

J. T. Ellison’s Taylor Jackson series is a Nashville-set crime sequence built around homicide investigations, forensic evidence, serial offenders, and the increasingly personal consequences of police work. Lieutenant Taylor Jackson begins the series as an experienced Metropolitan Nashville Police Department detective, but the books do not keep her frozen in place while new cases rotate around her. Her relationships, professional standing, and emotional resilience change as the investigations accumulate, giving the series a continuing character arc beneath its individual mysteries.

The opening novel, All the Pretty Girls, establishes both Taylor and the wider investigative world that becomes important throughout the series. A serial killer operating across the South brings her into contact with FBI profiler John Baldwin, whose relationship with Taylor develops beyond their professional collaboration. Medical examiner Dr. Samantha Owens is another essential member of her circle, providing forensic expertise while becoming one of Taylor’s closest friends. Samantha later moves into her own four-book spin-off series, making the Taylor Jackson novels the foundation of a broader fictional universe.

Nashville gives the books much of their identity. Ellison uses the city and surrounding Tennessee landscape for investigations that range from local murders to crimes with interstate or federal dimensions. Taylor works within the structure of a homicide unit, so police procedure, investigative teamwork, autopsies, evidence, and jurisdictional complications remain important. At the same time, Ellison pushes the novels toward psychological thriller territory whenever a criminal begins targeting Taylor, her colleagues, or people she loves.

That personal dimension becomes increasingly significant as the series develops. Early novels establish Taylor as capable, stubborn, instinctive, and comfortable exercising authority, but repeated exposure to violence has consequences. Certain antagonists and unresolved threats persist beyond a single book, particularly through the middle stretch of the series. By So Close the Hand of Death and Where All the Dead Lie, earlier events are affecting Taylor directly enough that the series feels substantially different from a collection of self-contained police cases.

The bibliography also contains material that sits outside a straightforward chronological sequence. Whiteout is a Taylor Jackson novella positioned between the earlier novels and the later full-length entries. Field of Graves, although currently designated as the ninth Taylor Jackson book, is actually a prequel. It returns to an earlier period and explores the origins of Taylor’s professional relationships with Samantha Owens and John Baldwin. Because it was written and published after readers already knew these characters, it works differently from a conventional first installment: part of its interest comes from seeing familiar relationships at an earlier stage.

Ellison revived the series with The Wolves Come at Night after a considerable gap between new Taylor Jackson novels. Rather than starting over, the book continues with the history and emotional weight of the previous stories intact. That return reinforces one of the series’ defining features: Taylor’s past matters, and earlier cases leave traces that influence later decisions.

The Taylor Jackson books sit comfortably between police procedural, forensic thriller, and psychological suspense. Ellison can construct a novel around a distinctive killer or investigative puzzle, but the continuing appeal comes from the relationships surrounding Taylor and the damage produced by a career spent confronting extreme violence. John Baldwin, Samantha Owens, Taylor’s police colleagues, recurring enemies, and Nashville itself create a connected world that grows more layered as the series progresses. Individual investigations provide the immediate tension, while Taylor’s evolving personal and professional life supplies the continuity that holds the series together.

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