Below is the complete list of Judy Blume’s Fudge books in order. For this series, the chronological reading order is the same as the order of publication.
Publication Order of Fudge Books
About Fudge
Judy Blume’s Fudge series is a five-book collection of middle-grade novels built around the Hatcher family, particularly practical older brother Peter and his irrepressible younger brother Farley Drexel Hatcher, universally known as Fudge. Beginning with Tales of a Fourth Grade Nothing, the books turn ordinary childhood aggravations—sibling rivalry, family moves, embarrassing relatives, school friendships, pets, vacations, and money—into comedy by filtering them through children who take these problems completely seriously.
Peter is the narrator and emotional center of most of the series. In Tales of a Fourth Grade Nothing, he is a fourth grader living with his parents and Fudge in New York City. Fudge is small enough for adults to find almost everything he does charming, while Peter experiences the less adorable reality of sharing a home with him. Temper tantrums, destroyed possessions, disrupted family occasions, and the fate of Peter’s pet turtle, Dribble, establish a relationship familiar to anyone who has watched a younger sibling receive attention after causing chaos.
Otherwise Known as Sheila the Great is the unusual member of the sequence. Instead of continuing directly with Peter and Fudge, it gives Peter’s classmate and neighbor Sheila Tubman her own story. Spending the summer in Tarrytown, Sheila presents herself as fearless and accomplished while privately dreading dogs, swimming, spiders, and situations that threaten her carefully maintained confidence. The novel stands independently, but Sheila later re-enters Peter and Fudge’s world, making her book part of the official five-volume Fudge series rather than an unrelated spin-off.
Superfudge returns to Peter at another disruptive moment. His parents announce that they are having a new baby and that the family will temporarily move from New York City to Princeton, New Jersey. Peter must adjust to a new school, Fudge’s continued antics, and the arrival of baby Tamara Roxanne—quickly nicknamed Tootsie. The move broadens the Hatcher family while allowing Peter to confront one of his recurring frustrations: major decisions keep happening around him, yet he is expected to adapt sensibly.
In Fudge-a-Mania, the trouble moves to Maine, where the Hatchers spend several weeks in a summer house next to the Tubman family. For Peter, being trapped near Sheila is almost as alarming as Fudge announcing that he intends to marry her. The shared vacation brings previously separate parts of Blume’s fictional world together and allows Peter’s feelings about Sheila to become more complicated than the simple childhood antagonism he prefers.
Double Fudge finds Fudge obsessed with money, inventing his own currency and imagining increasingly extravagant purchases. The Hatchers then encounter distant relatives whose family includes another young Farley Drexel Hatcher. The existence of a smaller child who resembles Fudge in both name and behavior gives Peter—and eventually Fudge himself—a comic glimpse of what living with Fudge has always been like.
The series spans roughly three decades of publication, yet the characters age only gradually. That loose chronology allows Blume to preserve the immediacy of elementary and middle-school life while letting the family change around Peter. Fudge grows from an uncontrollable preschooler into a school-age child with increasingly elaborate ideas; Peter moves from fourth grade toward adolescence; and recurring figures such as Sheila, Jimmy Fargo, Mr. and Mrs. Hatcher, and Grandma help create continuity.
Blume’s humor comes from refusing to dismiss childhood irritation as trivial. To Peter, an embarrassing brother, an unwanted move, or a ruined possession can genuinely feel catastrophic. The adults do not always understand that, and Fudge rarely does. That tension gives the books their durability: beneath the outrageous incidents is an unusually accurate portrait of siblings who can exasperate each other completely while remaining unmistakably family.





