The Goode Brothers Books In Order

Below is the complete list of Sara Cate’s The Goode Brothers books in order. For this series, the chronological reading order is the same as the order of publication.

Publication Order of The Goode Brothers Books

  1. The Anti-hero (2023)
    by Sara Cate
    The Anti-hero was published in 2023 and is listed as book #1 in the The Goode Brothers series.
  2. The Home Wrecker (2024)
    by Sara Cate
    Published in 2024, The Home Wrecker is listed as book #2 in the The Goode Brothers series.
  3. The Heartbreaker (2024)
    by Sara Cate
    The Heartbreaker is a 2024 release and appears as book #3 in the The Goode Brothers series.
  4. The Prodigal Son (2025)
    by Sara Cate
    In the The Goode Brothers series, The Prodigal Son is book #4 and was published in 2025.

About The Goode Brothers

Sara Cate’s Goode Brothers series is a four-book contemporary romance sequence centered on the sons of Truett Goode, a prominent Austin preacher whose carefully maintained public image conceals hypocrisy, abuse, and damaging family secrets. Beginning with The Anti-Hero and concluding with The Prodigal Son, the series follows Adam, Caleb, Lucas, and Isaac Goode as each man attempts to separate his adult identity from the religious expectations and trauma imposed by their father. The romances are individually focused, but the continuing family conflict makes the books considerably more interconnected than stand-alone companion novels.

The Anti-Hero introduces eldest brother Adam Goode, who has spent his life preparing to inherit his father’s church. His reputation is immaculate, his behavior controlled, and his future seemingly predetermined until he discovers that Truett is secretly a VIP member of a local kink club.

Adam’s anger leads him to Sage Astor, a tattooed, pink-haired woman connected to the club and almost the exact opposite of the partner his family would consider appropriate. They devise a fake relationship intended to damage Truett’s reputation, escalating the scheme by recording increasingly provocative material. What begins as revenge becomes genuine attraction while forcing Adam to reconsider beliefs about sexuality, morality, and obedience that have shaped him since childhood.

The Home Wrecker turns to Caleb Goode and his wife, Briar. Their marriage appears stable from the outside, but years of pressure, infertility struggles, and poor communication have created serious fractures. The arrival of Dean Sheridan makes those problems impossible to ignore.

Dean has history with the Goode family, particularly Isaac, and his attraction to Briar initially creates antagonism between him and Caleb. The resulting challenge gradually develops into an MMF relationship in which all three characters must reconsider conventional assumptions about marriage, fidelity, sexuality, and what repairing a relationship actually requires.

The Heartbreaker centers on Lucas Goode, an English professor who has deliberately distanced himself from both religion and family. His carefully ordered life is disrupted when Sadie Green becomes his student. She is intelligent, outspoken, pregnant after a brief relationship, and facing motherhood without meaningful support from the baby’s father.

Lucas offers Sadie a place to stay, despite knowing that living with one of his students could jeopardize his academic career. Their relationship develops through forced proximity and a growing dominant/submissive dynamic, while Lucas confronts the uncomfortable realization that emotional detachment has not protected him nearly as effectively as he imagined.

The Prodigal Son completes the family arc through youngest brother Isaac Goode, who escaped Austin and reinvented himself as Theo Vigil, a successful country singer. Isaac’s fame has allowed him to build a life far from his father, but it has also required him to keep important parts of himself hidden.

During a sold-out tour, he becomes involved with Jensen Miles, a preacher who unexpectedly turns out to be the new pastor at Truett Goode’s former church. Their relationship brings Isaac back toward the family and religious world he spent years avoiding, while forcing both men to confront sexuality, faith, public identity, and the lasting effects of religious abuse.

Publication order is especially valuable because the Goode family story progresses continuously. Truett’s downfall, the brothers’ changing relationships with one another, and earlier couples’ futures remain visible throughout later installments. Taken together, the four books form less a collection of unrelated taboo romances than a family reckoning: four brothers raised to embody one rigid definition of goodness gradually deciding for themselves what being a good man actually means.

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