Below is the complete list of Sherrilyn Kenyon’s Dark-Hunters: Lords of Avalon books in order. For this series, the chronological reading order is the same as the order of publication.
Publication Order of Dark-Hunters: Lords of Avalon Books
About Dark-Hunters: Lords of Avalon
The Dark-Hunters: Lords of Avalon series by Sherrilyn Kenyon reimagines Arthurian legend through a world of dark magic, supernatural warfare, dangerous romance, and divided loyalties. Originally introduced under Kenyon’s Kinley MacGregor pseudonym, the series explores the aftermath of King Arthur’s downfall, when Camelot has fallen under the influence of Morgen le Fey and the surviving defenders of Avalon struggle against forces threatening both the magical and mortal worlds.
Rather than recreating the familiar adventures of Arthur and his Knights of the Round Table, Kenyon examines what happens after the collapse of their celebrated kingdom. Camelot is no longer a place of chivalry and prosperity. Morgen has established her power through supernatural allies, while another Pendragon occupies the throne. Those who remain loyal to Arthur’s ideals must survive in a world where the distinction between good and evil has become increasingly uncertain.
The Lords of Avalon emerge from this conflict as warriors determined to resist Morgen’s ambitions. Their enemies include demons, darklings, and other creatures associated with her corrupted court. Ancient magic and enchanted objects become central to the struggle, particularly because powerful supernatural beings seek to exploit them for their own purposes.
Sword of Darkness (2006) introduces Kerrigan, a ruthless young man who rose from poverty and neglect to become the feared Pendragon of Camelot. Raised to power through Morgen’s influence, Kerrigan has learned to value strength above compassion. His circumstances change when he encounters Seren, a humble woman whose courage and determination challenge everything he believes about power, loyalty, and human weakness.
Their relationship establishes one of the series’ central concerns: whether someone shaped by cruelty and ambition can choose a different future. Kerrigan’s position within Morgen’s world places him at the centre of a conflict between personal desire and the responsibilities imposed upon him.
Knight of Darkness (2006) develops the mythology through Varian duFey, the son of Lancelot and Narishka, a powerful figure aligned with Morgen. Rejected by both sides of his heritage, Varian has become a dangerous assassin whose allegiance remains complicated by his upbringing and reputation.
His story becomes intertwined with Merewyn, a woman who has endured centuries under a terrible curse. Their relationship introduces questions about appearances, sacrifice, and the possibility of finding acceptance after prolonged suffering. Varian’s divided ancestry also reinforces the series’ portrayal of a supernatural world in which family connections frequently create greater dangers than open warfare.
Kenyon’s interpretation of Arthurian mythology extends beyond its familiar characters. Merlin is treated as a title associated with magical authority rather than simply the identity of one legendary wizard. The world also incorporates Celtic folklore, the Fey, enchanted realms, and supernatural bloodlines, creating a mythology that reaches beyond traditional Camelot narratives.
The shorter story The Wager, featuring Sir Thomas Malory, provides another connection to the Arthurian setting. The broader Lords of Avalon mythology subsequently becomes increasingly intertwined with Kenyon’s Dark-Hunter universe, particularly through novels such as Son of No One, Dragonbane, and Dragonsworn. These connections introduce additional supernatural histories involving dragons, shapeshifters, and ancient conflicts.
Although the original Avalon novels were published under the Kinley MacGregor name, later connected works appeared under Sherrilyn Kenyon. The series also received comic-book adaptations, extending its characters and Arthurian setting into graphic storytelling.
What gives Lords of Avalon its distinctive character is the contrast between legendary ideals and the damaged individuals who inherit them. Its warriors are frequently burdened by betrayal, rejection, and morally difficult choices, while romance becomes a means of challenging established loyalties. By combining the familiar mythology of Camelot with the darker supernatural foundations of her Dark-Hunter universe, Kenyon transforms Arthurian legend into an interconnected fantasy of power, redemption, and contested destiny.