Anna Travis Books In Order

Below is the complete list of Lynda La Plante’s Anna Travis books in order. For this series, the chronological reading order is the same as the order of publication.

Publication Order of Anna Travis Books

  1. Above Suspicion (2004)
    by Lynda La Plante
    Above Suspicion was published in 2004 and is listed as book #1 in the Anna Travis series.
  2. The Red Dahlia (2006)
    by Lynda La Plante
    Published in 2006, The Red Dahlia is listed as book #2 in the Anna Travis series.
  3. Clean Cut (2007)
    by Lynda La Plante
    Clean Cut is a 2007 release and appears as book #3 in the Anna Travis series.
  4. Deadly Intent (2008)
    by Lynda La Plante
    In the Anna Travis series, Deadly Intent is book #4 and was published in 2008.
  5. Silent Scream (2009)
    by Lynda La Plante
    Silent Scream was first published in 2009; within the Anna Travis series, it is listed as book #5.
  6. Blind Fury (2010)
    by Lynda La Plante
    Blind Fury was published in 2010 and is listed as book #6 in the Anna Travis series.
  7. Blood Line (2011)
    by Lynda La Plante
    Published in 2011, Blood Line is listed as book #7 in the Anna Travis series.
  8. Backlash (2012)
    by Lynda La Plante
    Backlash is a 2012 release and appears as book #8 in the Anna Travis series.
  9. Wrongful Death (2013)
    by Lynda La Plante
    In the Anna Travis series, Wrongful Death is book #9 and was published in 2013.

About Anna Travis

Lynda La Plante’s Anna Travis series is a British police-procedural sequence built around ambition, murder investigation, institutional pressure, and the difficult rise of a young detective inside the Metropolitan Police. Introduced in Above Suspicion, Anna Travis begins as a newly assigned detective working her first major murder case, but the series is not simply about one investigation after another. It follows her professional development, her mistakes, her increasing confidence, and the cost of building a career in a world where competence is constantly tested.

Anna is often discussed in relation to La Plante’s earlier creation Jane Tennison, and the comparison is useful as long as the two are not treated as the same figure. Tennison arrives with the force of a fully formed, battle-hardened investigator fighting sexism at senior levels. Anna Travis is younger, less experienced, and still learning how to survive the demands of murder work. That gives the series a different kind of momentum. The books show the making of a detective rather than only the authority of one already established.

The first novel, Above Suspicion, sets the tone with a serial murder investigation that forces Anna to prove herself quickly. Her intelligence and instincts are clear, but La Plante does not make her flawless. Anna can be impulsive, emotionally vulnerable, and sometimes too eager to follow a line of inquiry before she fully understands the danger. That tension between talent and inexperience is one of the early strengths of the series. She is capable enough to belong in the room, but not yet seasoned enough to control every consequence.

James Langton is central to the series’ shape. As Anna’s senior colleague and recurring professional force, he represents mentorship, authority, irritation, attraction, and pressure all at once. Their relationship gives the books a continuing emotional and workplace tension without turning the series into romance disguised as crime fiction. La Plante keeps the focus on murder investigations, but Anna and Langton’s dynamic adds a human volatility that affects how cases unfold and how Anna understands herself as a detective.

The series moves through different kinds of cases, from high-profile killings and brutal murders to investigations involving celebrity, obsession, corruption, revenge, and hidden violence. The Red Dahlia uses the shadow of the Black Dahlia case to create one of the more memorable early investigations, while later books such as Deadly Intent, Silent Scream, Blood Line, and Backlash show Anna facing increasingly complex professional and emotional territory. The cases are not tied together by one grand conspiracy; the continuity comes from Anna’s career, her changing rank, her relationship with the team, and the hardening effect of repeated exposure to violent crime.

La Plante’s background in television drama is visible throughout the books. Scenes are direct, dialogue carries authority, and the investigations often move with the pace of a screen thriller. At the same time, the novels allow more room for Anna’s inner uncertainty than a television format can always provide. The adaptation Above Suspicion, starring Kelly Reilly as Anna Travis and Ciarán Hinds as James Langton, brought several of the stories to a wider audience, but the novels remain the fuller version of Anna’s progression.

The Anna Travis series works best as a career arc. Each book can be followed for its individual case, but the deeper interest lies in watching Anna become sharper, tougher, and more aware of what the job demands from her. It is a series about crime, but also about apprenticeship, ambition, gender, power, and the personal cost of learning to stand firm in rooms where every mistake can matter.

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