Fiona Davis Books In Order

Below is the complete list of Fiona Davis books in order. For each series, the chronological reading order is the same as the order of publication.

Publication Order of Standalone Books

  1. The Dollhouse (2016)
    by Fiona Davis
    The Dollhouse was published in 2016 and is listed as book #1 in the Standalone series.
  2. The Address (2017)
    by Fiona Davis
    Published in 2017, The Address is listed as book #2 in the Standalone series.
  3. The Masterpiece (2018)
    by Fiona Davis
    The Masterpiece is a 2018 release and appears as book #3 in the Standalone series.
  4. The Chelsea Girls (2019)
    by Fiona Davis
    In the Standalone series, The Chelsea Girls is book #4 and was published in 2019.
  5. The Lions of Fifth Avenue (2020)
    by Fiona Davis
    The Lions of Fifth Avenue was first published in 2020; within the Standalone series, it is listed as book #5.
  6. The Magnolia Palace (2022)
    by Fiona Davis
    The Magnolia Palace was published in 2022 and is listed as book #6 in the Standalone series.
  7. The Spectacular (2023)
    by Fiona Davis
    Published in 2023, The Spectacular is listed as book #7 in the Standalone series.
  8. The Stolen Queen (2025)
    by Fiona Davis
    The Stolen Queen is a 2025 release and appears as book #8 in the Standalone series.
  9. Samantha: The Next Chapter (2026)
    by Fiona Davis
    In the Standalone series, Samantha: The Next Chapter is book #9 and was published in 2026.

Publication Order of Short Stories/Novellas Books

  1. The Gimlet Slip (2024)
    (With Greg Wands)
    by Fiona Davis
    The Gimlet Slip was published in 2024 and is listed as book #1 in the Short Stories/Novellas series.

Publication Order of Point In Time Books

  1. Alison’s Conviction (2022)
    (By Thomas Keneally)
    Alison’s Conviction was published in 2022 and is listed as book #1 in the Point In Time series.
  2. Ash Wednesday (2022)
    (By Paula McLain)
    Published in 2022, Ash Wednesday is listed as book #2 in the Point In Time series.
  3. We Are Bone and Earth (2022)
    (By Esi Edugyan)
    We Are Bone and Earth is a 2022 release and appears as book #3 in the Point In Time series.
  4. Naomi’s Gift (2022)
    (By Martha Hall Kelly)
    In the Point In Time series, Naomi’s Gift is book #4 and was published in 2022.
  5. A Wild Rose (2022)
    by Fiona Davis
    A Wild Rose was first published in 2022; within the Point In Time series, it is listed as book #5.
  6. Landing (2022)
    (By Olivia Hawker)
    Landing was published in 2022 and is listed as book #6 in the Point In Time series.
  7. Mother Swamp (2022)
    (By Jesmyn Ward)
    Published in 2022, Mother Swamp is listed as book #7 in the Point In Time series.

About Fiona Davis

Fiona Davis is an American historical novelist best known for stories built around iconic New York City landmarks and the women whose lives unfold behind their celebrated facades. A New York Times bestselling author, she has made buildings such as the Barbizon Hotel, the Dakota, Grand Central Terminal, the New York Public Library, Radio City Music Hall, and the Metropolitan Museum of Art central to her fiction. Her novels typically combine meticulous historical research with mystery, family secrets, artistic ambition, and women attempting to establish independent lives during periods when social expectations sharply limited their choices.

Davis did not initially plan a career as a novelist. She moved to New York City to pursue acting and worked professionally on stage before gradually becoming interested in writing. She later earned a master’s degree from Columbia University’s Graduate School of Journalism and wrote articles for publications including The Wall Street Journal and O, The Oprah Magazine. Her experience interviewing people and researching factual stories eventually provided a foundation for the historical investigation required by her novels.

Her debut, The Dollhouse, was published in 2016 and established the approach that would become her signature. The novel explores the Barbizon Hotel for Women through storylines separated by decades, using the building’s history to examine ambition, friendship, social expectations, and secrets preserved within a changing New York. Rather than treating architecture simply as scenery, Davis made the landmark itself part of the mystery.

That method continued with The Address, centered on the Dakota apartment building, and The Masterpiece, which draws upon the once-thriving Grand Central School of Art inside Grand Central Terminal. In each case, Davis takes a famous structure familiar to modern New Yorkers and searches its history for spaces, occupations, and people that have largely disappeared from public memory.

The Chelsea Girls moved into the theatrical world of the Chelsea Hotel and the political pressures of the McCarthy era, while The Lions of Fifth Avenue used the New York Public Library to connect two generations of women through mysterious book thefts. The latter became a Good Morning America Book Club selection and further established Davis’s reputation for combining historical settings with accessible suspense.

With The Magnolia Palace, she turned to the Frick mansion, intertwining the world of artist’s model Audrey Munson with a later mystery involving the Frick family collection. The Spectacular brought readers behind the scenes at Radio City Music Hall in the 1950s, pairing a young Rockette’s struggle for independence with a fictionalized version of the investigation into the real-life bomber who terrorized New York for years.

The Stolen Queen expanded Davis’s geographical range through a story linking the Metropolitan Museum of Art and its 1978 Met Gala with archaeological work in Egypt. Although New York remains crucial, the novel demonstrates how her interest in museums, artifacts, and forgotten histories can extend beyond the city’s architecture.

In 2026, Davis also turns to an established fictional character with Samantha: The Next Chapter, the first American Girl novel written for adults. Set in 1920, it reimagines Samantha Parkington at twenty-five, connecting the character with women’s suffrage and a rapidly changing New York.

Across Davis’s bibliography, buildings operate almost like additional characters. Their renovations, hidden rooms, vanished communities, and changing purposes allow her to place different generations in conversation with one another. Her historical fiction is consequently as interested in what cities forget as in what they preserve, repeatedly uncovering the women, ambitions, and private dramas concealed behind some of New York’s most recognizable doors.

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